Friday, April 24, 2020
Wednesday, April 15, 2020
CCR Question #4 Draft
This project was a challenge to complete, and it would have been even more challenging had we not had access to all the technology available to us. Lucky for us, there were several advantages we had because of this technology.
The camera we used was an iPhone 7 camera, which has 12 megapixels and optical image stabilization. The quality wasn't as good as a professional camera, but it was enough to film in the dark setting we were in and gave us clear videos of the scenes. The phone also made it easy to upload the videos to a computer where we could do our editing.
For editing, we primarily used Adobe Premiere. We used the import sound function to add a short music clip in the film, and we used the clipping tool to cut each scene down and string them together. It was confusing trying to navigate though the application's many features, so we stuck to basic editing to be safe.
We also used Snapchat on our phones to coordinate our group actions, like meeting up for filming. This made it easy to communicate with each other rather than having to be together all at once to have discussions.
CCR Question #3 Draft
Before we started this project, my understanding of film making was very limited. I had never attempted something like this, so the whole process was foreign to me at the start. I had a basic understanding of how movies are made, but no first hand experience of my own.
Once we had the idea for our movie, we had find a suitable shooting location. To do this, Connor and I drove around town looking for spots with settings that would work well with our movie. I had to take into account the noise levels, lighting, and traffic so that the dialogue in the shots would be audible and the characters would be visible.
Once we found our location, we had to organize a schedule. I was involved with finding a time to film that would work for all members of the project, which meant considering our school and work schedules. Once a date and time was designated, we all had to meet up at the place independently to begin filming.
During our shooting, I played a role in directing the scenes. I used my vision of the movie and my knowledge of camera shots to help make some scenes more entertaining and professional. I suggested the car pulling in scene, the jump cuts of Giovanne, and the falling on the ground scene because I thought they would add drama to the film.
My camera work was limited in the movie, but nonetheless I contributed and learned some things. In the telephone scenes I filmed Connor while he was on the phone, and I had to decide what angle to shoot from and how to frame him in the shot. Additionally, I filmed the scene where Carla throws the duffel bag at Connor by putting the camera over her shoulder. This, I thought, would add to the suspense of what she looks like because we can't see her face yet.
Through this project, I have learned how to use a camera better, how to coordinate shooting times, how to scout locations, and how to direct actors and models to make a decent movie.
Distribution Research: Rambo: Last Blood
Rambo: Last Blood was released in theaters on September 20th, 2019 by Lionsgate. An alternative version of the movie with a different opening and deleted scenes was released in Australia, Mexico, Sweden, Brazil, Germany, and Finland. It was digitally released on December 3rd, 2019, less than 3 months after its theatrical release, and on 4K UHD on December 17th. The movie totaled 91.5 million dollars worldwide.
Friday, April 10, 2020
CCR Question #2 Draft
Due to this film's violent and mature themes, our marketing strategy would center around advertising to adults. From my audience research, I learned that most movies utilize posters and trailers to advertise, and some new ones have started experimenting with social media.
Once production of our film is complete, we will get in touch with a producer rep who will hand off our movie to a distribution company. Distribution companies are typically used because they specialize in making connections with outlets that will show movies to the public. Once the movie is in the hands of our chosen distributor, they will begin their work by releasing our film into theaters.
We chose a 3 month theater show time because that is what is traditionally done, as it gives people enough time for movie goers to see it, but not long enough to make them lose interest. Once the 3 months is over, we will pull the movie from theaters and release onto DVD and Blu-ray so people can still enjoy it at home. To modernize our distribution, we would release our movie onto Netflix after our theatrical run is over and we start digitizing it. We feel that the younger audience that Netflix has would be similar to the audience we would likely appeal to, so our movie would fit well into its collection.
We would start by putting artistic movie posters around crowded areas to attract attention to our film. We have seen through our research that they are effective at promoting movies, so this would be an easy place to start. They are also inexpensive so there is little risk with producing them. Our next course of action would be to make a short trailer of our movie. Trailers are an almost universal means of film marketing, and they significantly increase a movie's attention. We would put together a short compilation of scenes from The Rise that hint at the story but leave out enough detail as to not spoil the movie. Our last plan would be to create a social media page on Instagram or Facebook. Social media pages are a new way that movies are generating attention, and they have been shown to be successful with movies like Bird Box. We would create a basic page that shows teasers and posters; basically all of our marketing plans but on a single platform.
From my distribution research, I learned that most movies invest in a producer rep and a distribution company to handle distribution.
Once production of our film is complete, we will get in touch with a producer rep who will hand off our movie to a distribution company. Distribution companies are typically used because they specialize in making connections with outlets that will show movies to the public. Once the movie is in the hands of our chosen distributor, they will begin their work by releasing our film into theaters.
We chose a 3 month theater show time because that is what is traditionally done, as it gives people enough time for movie goers to see it, but not long enough to make them lose interest. Once the 3 months is over, we will pull the movie from theaters and release onto DVD and Blu-ray so people can still enjoy it at home. To modernize our distribution, we would release our movie onto Netflix after our theatrical run is over and we start digitizing it. We feel that the younger audience that Netflix has would be similar to the audience we would likely appeal to, so our movie would fit well into its collection.
Thursday, April 9, 2020
CCR Question #1 Draft
The first convention we used when making our film was the use of jump cuts to signify time passing. This is commonly done in movies because it eliminates the need for transitions between the characters' activities, thereby shortening the screen time but still maintaining the feeling of passing time. We used it to make Giovanne's wait in the movie feel longer by jumping between scenes of him doing different things like pacing back and forth and checking his teeth.
Another convention we used when filming was the use of shot-reverse shots during the phone call between Giovanne and Alto. Shot reverse shots are often used when two characters are talking on the phone to show each one during their speaking part. Since conversations are back and forth, the shots mimic that so we can see each character when they are speaking. We used this technique during Giovanne and Alto's phone call before the deal takes place because we wanted each character's expressions to be seen when they are talking, rather than keeping the focus on one of them.
Additionally, we used incidental hip hop music when Giovanne drives to the deal spot. Hip hop music is typically used in modern films targeted at younger audiences to seem more in touch with the viewers and to make the film more entertaining. We used this music because of its popularity with our young target audience, and its association with drugs and other illegal activities that our movie incorporates.
Finally, another convention we used was dim overhead lighting. In dramatic movies with illegal themes, suspicious meetings like drug deals usually take place in dimly lit areas with a single light source. This is to create a sense of darkness that mimics the immorality of what is taking place. In our movie, we filmed at a quiet park at night that was only lit by a single street lamp. This lamp cast the majority of the light on our characters, which made their faces darker and more hidden from the camera. This technique was used to give an ominous mood that foreshadowed the antagonists appearance.
In our film, we used three different social groups: kingpins, underdogs, and consumers. My character, Giovanne, represents the underdog because he is a novice drug dealer with little experience but high aspirations. He is presented as naive and cowardly at the beginning of the film to show his transformation when he achieves power later in the movie. Carmela represents kingpins because she has control over her area and is too powerful to challenge. She is presented as haughty and intimidating to show her superiority and ruthless nature. Finally, Alto represents consumers because he is an essential bystander that will side with whoever provides better products. He is portrayed as a turncoat when he buys from Carmella instead of Giovanne to show that consumers care about their interests over loyalty to their provider.
Additionally, we used incidental hip hop music when Giovanne drives to the deal spot. Hip hop music is typically used in modern films targeted at younger audiences to seem more in touch with the viewers and to make the film more entertaining. We used this music because of its popularity with our young target audience, and its association with drugs and other illegal activities that our movie incorporates.
Finally, another convention we used was dim overhead lighting. In dramatic movies with illegal themes, suspicious meetings like drug deals usually take place in dimly lit areas with a single light source. This is to create a sense of darkness that mimics the immorality of what is taking place. In our movie, we filmed at a quiet park at night that was only lit by a single street lamp. This lamp cast the majority of the light on our characters, which made their faces darker and more hidden from the camera. This technique was used to give an ominous mood that foreshadowed the antagonists appearance.
In our film, we used three different social groups: kingpins, underdogs, and consumers. My character, Giovanne, represents the underdog because he is a novice drug dealer with little experience but high aspirations. He is presented as naive and cowardly at the beginning of the film to show his transformation when he achieves power later in the movie. Carmela represents kingpins because she has control over her area and is too powerful to challenge. She is presented as haughty and intimidating to show her superiority and ruthless nature. Finally, Alto represents consumers because he is an essential bystander that will side with whoever provides better products. He is portrayed as a turncoat when he buys from Carmella instead of Giovanne to show that consumers care about their interests over loyalty to their provider.
Sunday, March 8, 2020
3rd Quarter Submission
The Rise 3rd Quarter Submission
For our 3rd quarter submission, we decided to cut some parts of the script out and re film the entire movie.
The first thing we changed was the script length. Our original movie was over three minutes long, so we had to take some parts of the script out. The opening scene on the phone was kept, but we shortened it dramatically to only include the basic plot information. We also decided to make the phone call happen while Gio was already in the car to avoid the scene where he walks to the car.
Another fix we made to the movie was the wardrobe. In the first film, Carmella was wearing a Drug Free Youth lanyard, which is an ironic thing for a "candy" dealer to be wearing. To solve this problem, we had her wear normal clothes and leave the lanyard out of filming. We also changed Gio's clothes to be more flashy to show his wild character.
Other tweaks we made to the film was the shortening of Carmella's speaking part at the end. We originally had her give a few sentences of dialogue, but we changed it to one single line to manage our time. We also added music to the waiting scene before Alto arrives to make the scene feel less awkward and boring.
For our 3rd quarter submission, we decided to cut some parts of the script out and re film the entire movie.
The first thing we changed was the script length. Our original movie was over three minutes long, so we had to take some parts of the script out. The opening scene on the phone was kept, but we shortened it dramatically to only include the basic plot information. We also decided to make the phone call happen while Gio was already in the car to avoid the scene where he walks to the car.
Another fix we made to the movie was the wardrobe. In the first film, Carmella was wearing a Drug Free Youth lanyard, which is an ironic thing for a "candy" dealer to be wearing. To solve this problem, we had her wear normal clothes and leave the lanyard out of filming. We also changed Gio's clothes to be more flashy to show his wild character.
Other tweaks we made to the film was the shortening of Carmella's speaking part at the end. We originally had her give a few sentences of dialogue, but we changed it to one single line to manage our time. We also added music to the waiting scene before Alto arrives to make the scene feel less awkward and boring.
Thursday, March 5, 2020
Distribution Plan
Based on the traditional distribution model and the newer models used by current movies, we have decided on how we are going to distribute our product.
Once production is complete, we will get in touch with a producer rep who will hand off our movie to a distribution company. This company will have to fulfill our distribution goals, which include a theatrical release and a DVD release.
Once the movie is in the hands of our chosen distributor, their work will begin on getting the movie released to the public. Since our movie is not written by any high profile directors and doesn't have a high profile cast, we will skip a Broadway release because of its high costs. Instead, we will go straight to the movie theater release.
After 3 months of theater viewing, we will pull the movie from theaters and release onto DVD and Blu-ray. We won't come out with any 4K options because our camera quality is likely not high enough to be of any 4K use.
To modernize our distribution, we would release our movie onto Netflix after our theatrical run is over and we start digitizing it. We feel that our movie would work well with the streaming audience that Netflix has, but we still want a theater release to keep tradition.
Once production is complete, we will get in touch with a producer rep who will hand off our movie to a distribution company. This company will have to fulfill our distribution goals, which include a theatrical release and a DVD release.
Once the movie is in the hands of our chosen distributor, their work will begin on getting the movie released to the public. Since our movie is not written by any high profile directors and doesn't have a high profile cast, we will skip a Broadway release because of its high costs. Instead, we will go straight to the movie theater release.
After 3 months of theater viewing, we will pull the movie from theaters and release onto DVD and Blu-ray. We won't come out with any 4K options because our camera quality is likely not high enough to be of any 4K use.
To modernize our distribution, we would release our movie onto Netflix after our theatrical run is over and we start digitizing it. We feel that our movie would work well with the streaming audience that Netflix has, but we still want a theater release to keep tradition.
Wednesday, March 4, 2020
Distribution Research: John Wick - Parabellum
John Wick - Parabellum is a movie about a hitman with a bounty on his head who must battle his way through enemies.
The movie first premiered in Brooklyn on May 9th, 2019, and its first theatrical release was on May 17th. It was distributed by Lionsgate. It stayed in theaters until August 23, 2019, when it was released on DVD and Blue-ray by Lionsgate. Less than a month later, it was released on 4k Ultra HD on September 10th.
The movie had a budget of 75 million, but made 326.7 million in the box office.
The movie first premiered in Brooklyn on May 9th, 2019, and its first theatrical release was on May 17th. It was distributed by Lionsgate. It stayed in theaters until August 23, 2019, when it was released on DVD and Blue-ray by Lionsgate. Less than a month later, it was released on 4k Ultra HD on September 10th.
The movie had a budget of 75 million, but made 326.7 million in the box office.
Distribution Research: Gemini Man
Gemini Man is about an ex Marine sniper who must evade a clone of himself that has been hired to kill him.
The movie was first released October 1st, 2019 at the Zurich Film Festival, and then in theaters on October 11th by Paramount Pictures. It was originally set to release on the 4th of the same month, but setbacks at Paramount forced them to push the film back a week. DVD and Blu-ray were released on January 14th, 2020.
The movie was first released October 1st, 2019 at the Zurich Film Festival, and then in theaters on October 11th by Paramount Pictures. It was originally set to release on the 4th of the same month, but setbacks at Paramount forced them to push the film back a week. DVD and Blu-ray were released on January 14th, 2020.
Wednesday, February 26, 2020
Traditional Distribution
Traditionally, films are distributed by a professional distributor, who uses their expertise to optimally market and distribute a film.
A producer rep usually acts as a middle man between the film maker and the distribution companies. Typically they are payed by the film maker a percentage of the movie sales made after distribution. Their job is to advertise and represent a film maker's movie so that distributors will sell it to theaters, DVDs, and streaming services. But this is not the case for all movies; Usually, a producer rep will sell movies in bulk instead of individually, so film makers can be disappointed with their sales. However, as indie films become more popular, the need for this middle man in this process is slowly being fazed out, so film makers might eventually work directly with distributors in the future.
Once the movie gets to a distributor, the movie is usually showed in movie theaters around the country for 90 days, then it gets put onto DVD and other VODs after the first 3 months. However, this 90 day time window has been shrinking, and some new movies have requested to go to VOD sooner than 3 months. Occasionally, a movie will show in theaters and on VOD simultaneously, or eliminate a theatrical release altogether.
To summarize, traditional distribution of a film consists of giving the movie to a producer rep who advertises it to distributors who hopefully release it in theaters and VOD.
A producer rep usually acts as a middle man between the film maker and the distribution companies. Typically they are payed by the film maker a percentage of the movie sales made after distribution. Their job is to advertise and represent a film maker's movie so that distributors will sell it to theaters, DVDs, and streaming services. But this is not the case for all movies; Usually, a producer rep will sell movies in bulk instead of individually, so film makers can be disappointed with their sales. However, as indie films become more popular, the need for this middle man in this process is slowly being fazed out, so film makers might eventually work directly with distributors in the future.
Once the movie gets to a distributor, the movie is usually showed in movie theaters around the country for 90 days, then it gets put onto DVD and other VODs after the first 3 months. However, this 90 day time window has been shrinking, and some new movies have requested to go to VOD sooner than 3 months. Occasionally, a movie will show in theaters and on VOD simultaneously, or eliminate a theatrical release altogether.
To summarize, traditional distribution of a film consists of giving the movie to a producer rep who advertises it to distributors who hopefully release it in theaters and VOD.
Tuesday, February 25, 2020
Marketing Plan
Due to this film's violent and mature themes, our marketing strategy will center around advertising to adults. To do this, we will utilize several mediums through which we post and share ads, and focus on technology to transmit them. Our goal is to develop an effective procedure to maximize movie rentals, streams, and sales.
Our first plan of action for marketing would be to create movie posters to put in movie theaters and on billboards around big cities. We have seen that posters are an effective way to capture viewers' attention, so we would artistically formulate a few of them to showcase the film's story without giving away too much detail. This would intrigue others but leave them in suspense so they will be urged to watch it.
Our next plan would be to make a trailer of our film. This would likely be a short compilation of some scenes from the movie arranged together to leave the audience in suspense, similar to the posters. In order to do this, we would have to film the rest of the movie and then select parts from it that are important to the theme but do not take away from the surprise of watching the actual film.
Our final plan would be to create a social media page, such as an Instagram account. This would allow us to promote our product to people all over the world, and allow others to share it with each other. Below is a mock Instagram page, made to approximately show what one would look like if we made one. Our page would clearly show the name of the film, and would give suspenseful posts to instill interest.
Monday, February 10, 2020
Audience Engagement Research: Joker
Joker is a thriller about Arthur Fleck and his mental transition into the Joker. The movie is violent and has mature themes, and is also about an evolving character, which is similar to our film.
The movie advertised posters with the Joker being the focus point of them. The point of these posters was to get people's attention for the new movie while not giving away too much information about the plot.
A teaser trailer was released by the producers on YouTube, which racked up 62.1 million views. The trailer consisted of short scenes from the movie to make sure the story was not given away, but enough to get peoples' interest. After that, they released two more longer trailers that were similar to the first one.
The movie's website consisted of basic advertising and trailers.
The producers released banner ads on other websites, which sparked controversy on the internet about the movie. This was because of the recent shootings in the media, which people cited as evidence that America was not ready for a movie like this. Nonetheless, it was released, and the dissension over the movie only added to its popularity.
Based on Joker's success, it is clear that posters and trailers are an effective way to advertise a movie. We could implement these strategies in our own film, like creating a main character poster or a short teaser trailer, to maximize our publicity. Although a risky idea, finding a controversial time to release our film - possibly during a drug or crime epidemic - could also raise the attention of the media. However, this could hurt our film as we would likely be seen as cynical for doing something like that, so we will stick with conventional methods.
The movie advertised posters with the Joker being the focus point of them. The point of these posters was to get people's attention for the new movie while not giving away too much information about the plot.
A teaser trailer was released by the producers on YouTube, which racked up 62.1 million views. The trailer consisted of short scenes from the movie to make sure the story was not given away, but enough to get peoples' interest. After that, they released two more longer trailers that were similar to the first one.
The movie's website consisted of basic advertising and trailers.
The producers released banner ads on other websites, which sparked controversy on the internet about the movie. This was because of the recent shootings in the media, which people cited as evidence that America was not ready for a movie like this. Nonetheless, it was released, and the dissension over the movie only added to its popularity.
Based on Joker's success, it is clear that posters and trailers are an effective way to advertise a movie. We could implement these strategies in our own film, like creating a main character poster or a short teaser trailer, to maximize our publicity. Although a risky idea, finding a controversial time to release our film - possibly during a drug or crime epidemic - could also raise the attention of the media. However, this could hurt our film as we would likely be seen as cynical for doing something like that, so we will stick with conventional methods.
Wednesday, February 5, 2020
Audience Engagement Research: Once Upon a Time in Hollywood
Once Upon A Time In Hollywood is a movie by Quentin Tarantino, and is set in Hollywood in 1969. It follows Rick Dalton and his stunt devil Cliff Booth as they make their way through an industry that has progressed passed them.
Both this movie and ours have mature themes, so it is similar to ours in that matter. The also revolve around a main character struggling to find their way in a new world.
The movie made a website that showcased stills and trailers of the film, and offered tickets.
They also used their cast as a selling point for the movie. With actors like Leonardo DiCaprio and Brad Pitt, they generated a lot of excitement about the movie because of their high profiles. They also made appearances on the Jimmy Kimmel Show. This would not work with our film, however, because our cast members are not well known like these ones.
For our movie, our best bet would be to make a website. This doesn't require a big budget and doesn't need a high profile cast.
Both this movie and ours have mature themes, so it is similar to ours in that matter. The also revolve around a main character struggling to find their way in a new world.
The movie made a website that showcased stills and trailers of the film, and offered tickets.
They also used their cast as a selling point for the movie. With actors like Leonardo DiCaprio and Brad Pitt, they generated a lot of excitement about the movie because of their high profiles. They also made appearances on the Jimmy Kimmel Show. This would not work with our film, however, because our cast members are not well known like these ones.
For our movie, our best bet would be to make a website. This doesn't require a big budget and doesn't need a high profile cast.
Tuesday, February 4, 2020
Audience Engagement Research: Get Out
Get Out is a mystery thriller film that is rated R and was released in 2017.
Get Out would have a similar audience as The Rise because they are both rated R and both have a thriller aspect to them. This makes it a good movie to analyze in regards to marketing.
The film used ominous posters showing scenes from the movie to get people's attention, and including menacing quotes about the plot. They also included the director's name, Jordan Peele, because he is well known in the entertainment industry.
Get Out also advertised trailers on YouTube. The trailers, while not too plot revealing, gave viewers an idea of what the movie would be about and how good it would be. Putting the ads on YouTube was important because the director has a fan base that correlates to that of YouTube content, so his target audience would be exposed. Ads were also run during sporting events to help broaden the viewer base of the movie.
Get Out also employed their own website, with spoiler-free synopses of the film, trailers, an art gallery, tickets, and a share feature so that people could send it all to each other and gain a larger audience.
Get Out would have a similar audience as The Rise because they are both rated R and both have a thriller aspect to them. This makes it a good movie to analyze in regards to marketing.
The film used ominous posters showing scenes from the movie to get people's attention, and including menacing quotes about the plot. They also included the director's name, Jordan Peele, because he is well known in the entertainment industry.
Get Out also employed their own website, with spoiler-free synopses of the film, trailers, an art gallery, tickets, and a share feature so that people could send it all to each other and gain a larger audience.
Monday, January 27, 2020
Art of the Title Class Activity
Today in class we analyzed some title sequences from Artofthetitle.com. I thought the Goodfellas intro was clever because the opening credits zoomed into the screen from the side, and the sound of a car passing went along with it. This gave the effect that the credits were cars coming into view and then driving off, which I thought was well done. Scorsese commented that he got the idea for the title sequence from the movie Big. We might use a sound bridge when introducing the credits like Goodfellas did, but I don't think we will be using the text effects that they did.
Tuesday, January 21, 2020
Target Audience Research
The target audience for this movie will be American men in their early twenties that are making average income and have a standard education. While these are not the only type of people that will enjoy this movie, we predict they will be the most abundant.
Our audience will likely have an interest in crime dramas and action movies. They might find organized crime a fascinating topic, and have a soft spot for the underdog. Anyone that has experience with overcoming obstacles might also like this film.
The criminal setting of the film makes it appealing to anyone who enjoys the mystery and thrill of underground vices. Likewise, the "rising to success" theme of the movie makes it great for anyone who likes to side with an underdog and see them achieve their goal.
Our audience will likely have an interest in crime dramas and action movies. They might find organized crime a fascinating topic, and have a soft spot for the underdog. Anyone that has experience with overcoming obstacles might also like this film.
The criminal setting of the film makes it appealing to anyone who enjoys the mystery and thrill of underground vices. Likewise, the "rising to success" theme of the movie makes it great for anyone who likes to side with an underdog and see them achieve their goal.
Feedback and Revisions
After receiving feedback on my midterm submission, my group and I have decided on a few parts of the movie the change or remove.
The most important thing that needs to be changed is the movie length. As it is, the opening is three minutes long, which is a minute over the required time. Therefore, we need to remove some scenes to shorten it and make it admissible. A scene we want to take out is the one after the phone call, where Giovanne gets in his car and drives away. It will be replaced with a quick fade out and fade in to the scene where Giovanne is pulling into the parking lot. This scene isn't important to the movie, so taking it out will not make the movie confusing, and will actually make the movie flow better.
Another problem we had was costume design. In the scenes with Daniella, she was wearing a Drug Free Youth t-shirt and an ID on a lanyard. This choice of clothing doesn't fit the typical style of a shady criminal, so we will have her wear something more representative of that stereotype.
Finally, we will edit the phone conversation so it will flow better. As it is, there are long pauses between speaking lines that make the phone call seem choppy. We will edit those pauses out to make the conversation flow like a normal phone call.
The most important thing that needs to be changed is the movie length. As it is, the opening is three minutes long, which is a minute over the required time. Therefore, we need to remove some scenes to shorten it and make it admissible. A scene we want to take out is the one after the phone call, where Giovanne gets in his car and drives away. It will be replaced with a quick fade out and fade in to the scene where Giovanne is pulling into the parking lot. This scene isn't important to the movie, so taking it out will not make the movie confusing, and will actually make the movie flow better.
Another problem we had was costume design. In the scenes with Daniella, she was wearing a Drug Free Youth t-shirt and an ID on a lanyard. This choice of clothing doesn't fit the typical style of a shady criminal, so we will have her wear something more representative of that stereotype.
Finally, we will edit the phone conversation so it will flow better. As it is, there are long pauses between speaking lines that make the phone call seem choppy. We will edit those pauses out to make the conversation flow like a normal phone call.
Subscribe to:
Posts (Atom)